Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Vincent Van Gogh
Still life with Two Jars and Two Pumpkins (nn04)

ID: 23518

Vincent Van Gogh Still life with Two Jars and Two Pumpkins (nn04)
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Vincent Van Gogh Still life with Two Jars and Two Pumpkins (nn04)


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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | Les Arenes | Self-Portrait (nn04) | Two Little Girls | Factories Seen from a Hillside in Moonlight (nn04) | Orchard in Bloom with Poplars |
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Antropov Aleksei
Russian, 1716-1795
Samuel Thomas Gill
(Devon, England 1818 - Melbourne 1880 ) Australian/British Artist Australian/British Artist,also known by his signature S.T.G., was and English-born Australian artist. Gill was born in Perriton, Somerset, England, son of the Reverend Samuel Gill, a Baptist minister, and his first wife, Winifred Oke. Rev. Gill became the headmaster of a school at Plymouth, where the son was first educated, then he continued to Dr Seabrook's Academy, Plymouth. Having moved to London, Gill was employed as a draughtsman and watercolour painter by the Hubard Profile Gallery, before departing for the colony of South Australia in 1839 with his parents, arriving in December. Gill arrived in Adelaide, aged 21 and established a studio in 1840, and called for those 'desirous of obtaining a correct likeness' of themselves and their families, friends, animals and residences to contact him. His activities soon expanded to include street scenes and public events, including the newly discovered copper mines at Burra Burra as well as the departure of Charles Sturt's expedition for the interior on 8 October 1844.
Felix Maria Diogg
(b Andermatt, 1 July 1762; d Rapperswil, Schwyz, 19 Feb 1834). Swiss painter. From 1782 he was a pupil of Johann Melchior Wyrsch in Besanion, under whom he developed the essential aspects of his portrait style. He also studied further in Rome and Naples from 1786 to 1788. He was capable of executing bright, incisive portraits in the manner of Angelica Kauffman, as in Portrait of an Artist or psychological studies, best seen in Ulysses von Salis-Marschlins. Several of his group portraits, such as the Esslinger Family, show the influence of Italian and British painting, with which he seemed to be familiar. He was a friend of Johann Kaspar Lavater, discoursed with Goethe and enjoyed the company of the Swiss historian Johannes von Miller (1752-1809), whose portrait he painted. His portraits are generally bust-length types set against a solid, dark background. This format was favoured by his Swiss clientele and is seen in Burgomaster Heinrich Krauer (1799; Lucerne, Kstmus.), which also reveals the dignified wooden pose frequently selected by his models. His direct, fashionable treatment of the sitter attracted a wide range of clients from all levels of society. He seemed to be as much at ease painting the Empress of Russia, Yelisaveta Alekseyevna (1814; Karlsruhe, Staatl. Ksthalle) as he was portraying the bourgeoisie of central Switzerland.






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